Titti Of Greek
A look carefully at the windows with mannequins that have raised a very ethnic style for summer 2011, it revealed a structure of conscious thought and farsighted in the glittering array "manufactured" by our brave designers!
The fashion - and we anthropologists know well - has always been associated with the idea of change and has been gradually changing, following the economic, political and social.
Rewinding the tape of history, we place the phenomenon of "fashion" in Western society as a specific organization useful for industrial production on the one hand and the other costumes.
Everything is dated to the seventeenth century, especially the French court of Louis XIV, whose costume has marked the birth of mercantile capitalism. Although it is likely that the collective concept of fashion is not associated with companies 'other' (the so-called primitive peoples, whose clothing is improperly called "traditional"), the reality is that, in the history of every culture, contacts with other peoples have always brought stylistic changes and contamination.
This statement is the result of extensive studies in anthropology and sociology, for so long, have crossed only transversally, but that in the post-modern society, thanks to an orderly accumulation of knowledge, have become completely interdependent.
Both sciences read fashion as a parameter of the rapid and continuous change, able to read the story where there is greater social mobility and to interpret the specific function of production and distribution. I would add, returning to the beginning of reflection, that it was the fashion of this summer 2011, was an expression of ethnic and multicultural process. I mean, ignoring any resistance ruling, the designer wanted to emphasize through fashion a deep desire to "stickiness" to an inevitable historical process of assimilation.
And he did so with the aid of special colors, cuts of pants oriental, luxurious veils of light, markedly ethnic shoes in a style that comes from afar and which shows a project of genuine inclusion.
This is because, as we have said, the fashion, now more than ever, to accompany the individual and collective identities included in the background of globalization and the encounter between different races and "contaminating" the fascination of the exotic, inviting them to share the same spaces.
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